Unusually, this too can be made resonant, which could have some interesting applications, though I'm not quite sure what they are. The Dynamics sections also now feature a high- and low-pass filter which can be applied either just to the side-chain or to the incoming audio. The only plug-in I've seen before that offers resonant shelving EQ is Waves' H-EQ, and it opens up some interesting possibilities, especially at the low end where you want to combine boost and attenuation within a fairly narrow frequency range. You can now choose Baxendall filters or 'Vintage' Pultec-style low and high shelving EQs, as well as the intriguing 'resonant shelf' option. As well as the ability to zoom into the already very clear real-time FFT display, new filter and shelving modes have been added. Of the individual modules, it's the EQ that has seen the most new development. There are more than 200 new presets for the plug-in as a whole, and it's now possible to save and load presets for individual modules too. The interface is larger and more friendly, and now sports a useful Overview Panel which shows the most important controls and visualisations for all modules simultaneously. Version 2 adds no new modules, but improves those that were already there, as well as adding a number of global enhancements. Powers Of TwoДЄ new preset manager helps to navigate the 200+ presets. The EQ and Exciter modules would likewise put many dedicated plug-ins to shame, and the Transient Shaper, De-esser and Limiter are no slouches either. Most of the individual processors are very versatile, notably the two Dynamics modules, which can perform multi-band compression, gating and upward compression as well as conventional gain reduction, and which can be placed in parallel for some interesting effects. The basic concept is unchanged: Alloy comprises seven processing modules, which can be placed in any order, almost like plug-ins within a plug-in. This adds native support for Avid's AAX plug-in format, and now works in both 32- and 64-bit hosts without any bit-bridging. The original version, which was reviewed by John Walden in SOS April 2010 (/sos/apr10/articles/alloy.htm), has now been superseded by a thoroughly overhauled version 2. Alloy uses much of the same technology, but is adapted instead for use with individual instruments at the mixing stage. Izotope's best known product is probably their Ozone mastering suite, a sort of super-plug-in which combines all the processing and effects you could possibly need on your master bus. Is this new Alloy platinum sterling, or pinchbeck?ДЄ nice feature of the new Alloy 2 interface is the Overview page, which displays the most important controls and visualisations for all the active modules. Izotope have improved the formula of their 'do everything' mixing plug-in.

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